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Cover illustrated with a black and white drawing by Hans Arp, 8 illustrations b.n. in 5 tables f.t. (Works by Giocometti, Mirò and others). It contains the manifesto "Metanthropological Crisis", signed by Benn, Buber, Whit Burnett, Huelsenbeck, Carl G. Jung, Ribemont-Dessaignes, Siqueiros, Soupault, Vitrac and others, and a chapter dedicated to Joice. Texts by Asturias, S. Beckett, H. Michaux, G. Stein, H. Arp, G. Benn, H. Ball, K. Schwitters and others.- Kingdom: TRANSITION, n. 22, The Hague, Eugene Jolas - The Servire Press, February 1933, 23x15.5 cm., Paperback, 179- (13), cover with a black and white drawing by Sophie H. Tauber-Arp, contains a chapter dedicated to Joice (Work in Progress). Texts by Hans Arp (Konfigurationen), Hugo Ball (Cabaret), Hamilton Basso, Joe Bousquet, Georges Pelorson, Theo Rutra, Camille Schuwer, Kurt Schwitters (Ursonate), Roger Vailland, Eugene Jolas, Stuart Gilbert, Carola Giedion-Welcker, Firedrich Marcus Huebner, Max Pulver, Mariano Brull, Ivan Black, William Van Wyck, Fritz Vanderpyl and others.- Kingdom: TRANSITION, n. 23, The Hague, Eugene Jolas - The Servire Press, July 1935, 23x15.5 cm., Paperback, 205- (7), illustrated cover with the black and white reproduction of a work by Paul Klee, 8 plates out of text with 9 black and white illustrations (works by Naum Gabo, Henri Laurens, Umberto Boccioni, Guido Gonzales, Alberto Giacometti, Hans Arp, Constantin Brancusi, Jaques Lipchtz, Raymond Duchamp-Villon), a chapter dedicated to Joice. Texts by Eugene Jolas, Georges Pelorson, Hans Schless, Margaret Shedd, Gustave Barroso, Alejo Carpentier, Leo Frobenius, Lothar Mundan, Thérèse Aubray, Camille Schuwer, and others. Attached the "Transition Pamphlet no. 1 ", paperback, pp. 16 (including the covers) with texts by Eugene and Maria Jolas, Georges Braque, Henri Matisse, André Salmon, Tristan Tzara
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Condition report
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The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers.
We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.