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Splendid set of autographed, original and unpublished documents relating to one of the greatest Neapolitan authors, but not only. Perhaps he can be said to be the most important actor and author of the twentieth century, progenitor of the Scarpetta-De Filippo theatrical dynasty.
The lot consists of: a beautiful oval photo of Scarpetta wearing a boater, signed E. S 'Agostino Napoli, 212 x 146 mm. mounted on ivory cardboard; series of autographed stornelli on one paper, two pages, with dedication "To the little great actress Bianchina Mangini", signed and dated 30 September. 1922; long celebratory composition of 4 pp. with dedication "To Eugenio Mangini on his feast day on 15 November 1922 "these few verses", quatrains in alternating rhymes signed at the end by Scarpetta at the Bolognini Restaurant in Posillipo; card headed by Grand'Uff. Eduardo Scarpetta with signed note of 7 lines, addressed to Mrs. Giulia Mangini, 1923; a two-page letter on headed paper from Scarpetta to Eugenio [Mangini], sheet with two rhymed sestinas, on headed paper by the lawyer Mario Mangini, verses dedicated "To my dearest relative: Eugenio Mangini", 31.12.23; another composition also to Eugenio Mangini dated 15 Nov. 1924, a sestina; two cards of greetings and best wishes, dated 16 April 1924; another page in 8° with a sestina to Eugenio Mangini, 11.9.24; short letter on one page to Eugenio Mangini, 25.4.1925; Easter greeting card to Eugenio and our Giulia, dated 19.4.924.
Specialist Notes
This album celebrates two important families of Neapolitan actors, playwrights and writers, the Scarpettas and the Manginis. Whose parental bond occurred with the marriage between Maria Scarpetta and Mario Mangini, lawyer, journalist and writer, also known as Kokasse. Maria Scarpetta (Naples, 2 June 1891 – Pozzuoli, 31 May 1949) was an Italian playwright and writer, who often used the pseudonym Mascaria, as well as sometimes the name Maria Mangini. Mario Mangini in the thirties, forties and fifties, often paired with Francesco Cipriani Marinelli (they signed as Nelli & Mangini), was among the most fruitful and famous authors of Italian theater magazines. Among the most famous artists for whom he wrote were Totò, Nino Taranto, Mario Riva. He also collaborated on several scripts of this genre with Eduardo De Filippo (who used the pseudonym Tricot) and with Totò. Always paired with Nelli, and together with Pietro Garinei and Sandro Giovannini, he was part of the magazine's Bottega, a cooperative of authors who, under the pseudonym "Geri and Sampietro", produced several successful theater scripts in the 1940s. In the 1950s and 1960s he was also the screenwriter of several films, again by Totò.
With Maria Scarpetta they had a daughter, Giulia, who appears here in some documents. Eugenio Mangini, to whom various poems are dedicated, was Scarpetta's son-in-law, Mario's father. And Bianchina was another daughter of Eugenio Mangini. Those that are handed down here are therefore compositions of occasion, even rarer than others precisely because they are extemporaneous, often thought up and composed in real time. And they are poems where we observe the gentle, light, carefree but also thoughtful and attentive touch to preserve the purest and most sincere feelings, those that arise in the family.
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