Information
Gelatin silver print, printed in 2019
cm 40,2 x 29,9 (cm 35,7 x 24 picture) | 15.7 x 11.8 in. (14 x 9.4 in. picture)
Titled and signed in pencil on the verso with photographer's credit blindstamp on the white inferior recto margin
One of the Toulouse photographer's Alain Noguès first jobs was as a printer. This is an important notation for two reasons, the first is that this was his school because having in his hands in the darkroom the negatives of Henri Cartier-Bresson, Robert Doisneau, Ernst Haas, Willy Ronis, Marc Riboud was an opportunity to study the style of the best photographers of the time. The second was a consequence of the first: as he only had to work late afternoons, in his free time he could walk around Paris and photograph, putting what he had learnt to good use. He became a photographer for agencies such as Gamma first and Rapho later, he published in magazines such as Life and Paris Match, he won two editions of the World Press Photo, it is also thanks to those distant, fruitful beginnings that he achieved this results.
cm 40,2 x 29,9 (cm 35,7 x 24 picture) | 15.7 x 11.8 in. (14 x 9.4 in. picture)
Titled and signed in pencil on the verso with photographer's credit blindstamp on the white inferior recto margin
One of the Toulouse photographer's Alain Noguès first jobs was as a printer. This is an important notation for two reasons, the first is that this was his school because having in his hands in the darkroom the negatives of Henri Cartier-Bresson, Robert Doisneau, Ernst Haas, Willy Ronis, Marc Riboud was an opportunity to study the style of the best photographers of the time. The second was a consequence of the first: as he only had to work late afternoons, in his free time he could walk around Paris and photograph, putting what he had learnt to good use. He became a photographer for agencies such as Gamma first and Rapho later, he published in magazines such as Life and Paris Match, he won two editions of the World Press Photo, it is also thanks to those distant, fruitful beginnings that he achieved this results.
Contact
Condition report
To request a Condition Report, please contact fotografia@finarte.it
The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers.
We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.
More Lots
379