Information
Vintage gelatin silver print
cm 29 x 40 | 11.4 x 15.7 in.
Titled, signed and dated in pencil with photographer's credit stamp on the verso
It was at the beginning of the 1950s that Renzo Tortelli approached photography, attending the CCF founded by Luigi Crocenzi in Fermo, the Milanese club La Bussola and the Misa in Senigallia, where he met Giuseppe Cavalli, Ferruccio Ferroni and Mario Giacomelli, with whom he established an association that would lead them to produce one of the works that have remained in the history of Italian photography in 1957 in Scanno. A friend of important artists such as Domenico Cantatore and the futurist Sante Monachesi, whose works he documented from 1961 (the year of his first personal exhibition at the Circolo Fotografico Milanese), he was the protagonist of an intense exhibition activity.
cm 29 x 40 | 11.4 x 15.7 in.
Titled, signed and dated in pencil with photographer's credit stamp on the verso
It was at the beginning of the 1950s that Renzo Tortelli approached photography, attending the CCF founded by Luigi Crocenzi in Fermo, the Milanese club La Bussola and the Misa in Senigallia, where he met Giuseppe Cavalli, Ferruccio Ferroni and Mario Giacomelli, with whom he established an association that would lead them to produce one of the works that have remained in the history of Italian photography in 1957 in Scanno. A friend of important artists such as Domenico Cantatore and the futurist Sante Monachesi, whose works he documented from 1961 (the year of his first personal exhibition at the Circolo Fotografico Milanese), he was the protagonist of an intense exhibition activity.
Contact
Condition report
To request a Condition Report, please contact fotografia@finarte.it
The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers.
We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.
More Lots
275