Information
silkscreen on thin cardboard
70 x 70 cm
Color serigraph part of the portfolio "Corto Maltese - Il Tempo di una Cigaretta", limited to 100 copies numbered in Arabic numeral (our copy no. 87/100) published by Edizioni Multigraphic in 1977. During the printing of this legendary portfolio the Multigraphic publishing house in Venice suffered flooding due to high water, due to this very few silk-screen prints survived. After the Brr.. Brrr experience! in which he played with decompositions of the Canadian Redcoats, Pratt returns to the theme of abstraction originating from the comic sign, giving us this suite dedicated to the Corto Maltese blouse. As in the Grenadiers, Pratt's research starts from exploring some widely recognizable details to arrive at minimalist and totally abstract graphics inspired by Mondrian and Lichtenstein. Slight yellowing of the paper at the edges. Signed in pencil by Pratt and numbered.
70 x 70 cm
Color serigraph part of the portfolio "Corto Maltese - Il Tempo di una Cigaretta", limited to 100 copies numbered in Arabic numeral (our copy no. 87/100) published by Edizioni Multigraphic in 1977. During the printing of this legendary portfolio the Multigraphic publishing house in Venice suffered flooding due to high water, due to this very few silk-screen prints survived. After the Brr.. Brrr experience! in which he played with decompositions of the Canadian Redcoats, Pratt returns to the theme of abstraction originating from the comic sign, giving us this suite dedicated to the Corto Maltese blouse. As in the Grenadiers, Pratt's research starts from exploring some widely recognizable details to arrive at minimalist and totally abstract graphics inspired by Mondrian and Lichtenstein. Slight yellowing of the paper at the edges. Signed in pencil by Pratt and numbered.
Contact
Condition report
To request a Condition Report, please contact fumetti@finarte.it
The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers.
We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.