Estimate
€ 3.500 - 4.500
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Current bid Starting bid
€ 1.800
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Information
h 50 x 32 cm
black blown opaline glass vase with gold leaf.
Veronese Collection
Production Venini, Italy
One of VENINI's masterpieces, the vase designed in the 1920s by Vittorio Zecchin and inspired by a canvas by Veronese, the artist from whom it takes its name, is transformed into a work of art that blends cultures and traditions. Thanks to the Japanese technique of Kintsugi, the ancient restoration practice used to repair broken objects with the use of gold, the collection is enriched with new flashes. By philologically applying the principle of "care that embellishes", the break lines are not visible but are enhanced by the dust of the noble metal. Its philosophy is profound and goes far beyond a simple artistic practice: its symbolism speaks to us of healing and resilience, giving life to a unique and sumptuous object.
black blown opaline glass vase with gold leaf.
Veronese Collection
Production Venini, Italy
One of VENINI's masterpieces, the vase designed in the 1920s by Vittorio Zecchin and inspired by a canvas by Veronese, the artist from whom it takes its name, is transformed into a work of art that blends cultures and traditions. Thanks to the Japanese technique of Kintsugi, the ancient restoration practice used to repair broken objects with the use of gold, the collection is enriched with new flashes. By philologically applying the principle of "care that embellishes", the break lines are not visible but are enhanced by the dust of the noble metal. Its philosophy is profound and goes far beyond a simple artistic practice: its symbolism speaks to us of healing and resilience, giving life to a unique and sumptuous object.
Contact
Condition report
To request a Condition Report, please contact giada.damico@airc.it
The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers.
We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.
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