Information
Dance mask.
Wood covered with a crusted mixture of black and white paint, signs of use and traces of erosion across the mask, indigenous restorations.
A large crest-shaped nose divides the mask in two parts. The mouth is a protruding cone, and the eyes are two triangular crevices.This is a variety of the famous Kanaga mask without the superstructure.According to Marcel Griaule’s research, these masks were associated with the worship of deceased ancestors. They were worn during mourning ceremonies. The dancers were hidden by a colourful raphia garment, with the mask attached to the face.
Publications:
Sculpture featured in:
BALLARINI ROBERTO & CECIONI EUGENIO "Maschere e Gioielli dei Dogon" Exhibition catalogue from Villa Pacchiani, Santa Croce sull'Arno, Pisa, June 2004, fig. 2 (486);
Provenance
Private collection (1999)
Exhibition
Literature
BILOT ALAIN & BOHOBOT MICHEL & CALAME-GRIAULE GENEVIEVE & NDAYE FRANCINE, Masques du pays Dogon, Paris 2003, Edizioni Adam Biro (424);
LEUZINGER ELSY, Art de l’Afrique Noire, Paris 1979, n° 236 (65);