Information
Wood with a dark coating
H 35 cm
Magic object.
South-eastern region of the Congo marked by the course of the rivers Lualaba and Lomami.
Called Mabwe Lugullu, this magic object was used for divinatory purposes by the members of the secret society Magabc.It represents a female figure framed upon a spheroid shell of vegetable origin. The sculpture is wrapped with dried animal skin to which thick snail shells have been applied.Despite its small dimensions, the various parts of the body have been depicted in the rounded style that characterises the craft of the Hemba group. The face is sculpted with a broad forehead, a protruding mouth, narrow eyes, wide ears and braided hair gathered at the back. Her arms, away from her body, end with her hands resting on her breasts. The stomach highlights the classic tattoos present on Hemba figures.
H 35 cm
Magic object.
South-eastern region of the Congo marked by the course of the rivers Lualaba and Lomami.
Called Mabwe Lugullu, this magic object was used for divinatory purposes by the members of the secret society Magabc.It represents a female figure framed upon a spheroid shell of vegetable origin. The sculpture is wrapped with dried animal skin to which thick snail shells have been applied.Despite its small dimensions, the various parts of the body have been depicted in the rounded style that characterises the craft of the Hemba group. The face is sculpted with a broad forehead, a protruding mouth, narrow eyes, wide ears and braided hair gathered at the back. Her arms, away from her body, end with her hands resting on her breasts. The stomach highlights the classic tattoos present on Hemba figures.
Provenance
- George F. Keller antique collection (New York / Davos) (Inv. G.F.K. number illegible);
- Former Paolo Morigi collection (Lugano);
- Former private collection (Lugano);
- Former Paolo Morigi collection (Lugano);
- Former private collection (Lugano);
Exhibition
- Berna 1980, Musée des Beaux Arts;
- Lugano 2002, Palazzo Riva, Banca Svizzera Italiana (BSI);
- Lugano 2002, Palazzo Riva, Banca Svizzera Italiana (BSI);
Literature
Reproduced in:
- MORIGI PAOLO “Raccolta di un amatore d’arte primitiva” Magliaso, Lugano & Kunstmuseum Bern, Switzerland 1980, figures 295A e 295B, pages 334 and 335;
- VENTURI LUCA M. “Anime antiche, arte negra, da una raccolta di sculture dell’Africa occidentale” BSI Bank, Lugano 2002, figure 47;
- FELIX MARK LEO “100 Peoples of Zaire and their sculpture: Hemba, pages 34-35” Brussels 1987;
- FAGG WILLIAM “La sculpture africaine de Eliot Elisofon” London 1958, pages 231, number 297;
- DELANGE JACQUELINE & LEIRIS MICHEL “Africa nera” Milan 1967, figure. 272;
- NEYT FRANCOIS & DE STRYCKER LOUIS “Approche des arts Hemba” Villiers-le Bel, France 1975, page 53;
- MORIGI PAOLO “Raccolta di un amatore d’arte primitiva” Magliaso, Lugano & Kunstmuseum Bern, Switzerland 1980, figures 295A e 295B, pages 334 and 335;
- VENTURI LUCA M. “Anime antiche, arte negra, da una raccolta di sculture dell’Africa occidentale” BSI Bank, Lugano 2002, figure 47;
- FELIX MARK LEO “100 Peoples of Zaire and their sculpture: Hemba, pages 34-35” Brussels 1987;
- FAGG WILLIAM “La sculpture africaine de Eliot Elisofon” London 1958, pages 231, number 297;
- DELANGE JACQUELINE & LEIRIS MICHEL “Africa nera” Milan 1967, figure. 272;
- NEYT FRANCOIS & DE STRYCKER LOUIS “Approche des arts Hemba” Villiers-le Bel, France 1975, page 53;
Contact
Condition report
To request a Condition Report, please contact arteafricana@finarte.it
The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers.
We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.