This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.
Milan, Ricordi, [1893]. In 4th, 285 x 188 mm. Album in dove gray half canvas and cardboard containing 45 plates representing fashion plates (41) and various props, as well as footwear (4), watercolor engravings on cardboard, name of the character on the reverse, detailed tailoring instructions , the shoemaker, the hairdresser etc., slight browning.
Adolf Hohenstein (1854-1928) was a cosmopolitan artist, born in Tsar Russia, in St. Petersburg, to German parents, and trained at the Academy of Fine Arts in Vienna, before moving in 1879 to Milan, a city to which he remained attached throughout his life.A leading exponent of Art Nouveau, Adolf Hohenstein was a painter, designer, advertiser, illustrator, set designer and costume designer; in the theatrical field, he established relationships above all with Giacomo Puccini, creating sketches, sketches and prop tables for operas such as Le Villi, Edgar, Manon Lescaut, Tosca. The collaboration with Giulio Ricordi began in 1889, shortly after becoming the first artistic director of Casa Ricordi, with responsibility for both the graphic and theatrical sections. He designed sets and costumes for Falstaffand for most of Puccini's operas. He also created advertising posters for La Bohème, Tosca, Campari, Buitoni, Corriere della Sera, as well as postcards and covers of scores and librettos. He had among his students Leopoldo Metlicovitz and Marcello Dudovich, both employees of Casa Ricordi.
To request a Condition Report, please contact libriestampe@finarte.it
The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers.
We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.
481
482
484
485
486
487