Prev / Next

Photographs

Wednesday 11 October 2023, 03:30 PM • Milan

201

Horst P. Horst

(1906 - 1999)

Lisa Fonssagrives - American Vogue Cover , 1940

Estimate

€ 14.000 - 18.000

Un utente ha offerto

Your offer is the highest

Information

Inkjet print curated by P. Horst Foundation Estate, printed in 2021
cm 127 x 100 (cm 105 x 80 picture) | 50 x 39.4 in. (41.3 x 31.4 in. picture)

Edition 10 of 15

Paci Contemporary's label on the verso

Framed


Work accompanied by Certificate of authenticity released by Paci Contemporary Gallery, Brescia

Provenance

Paci Contemporary Gallery, Brescia

Exhibition

Horst P. Horst: a legend of style, Paci Contemporary Gallery, Brescia, 2019
W. Guadagnini (edited by), Horst P. Horst, Palazzo Magnani, Reggio Emilia, 2019

Literature

S. Brown (edited by), Horst P.Horst. Photographer of style, Victoria & Albert Museum Publishing, London, 2014, p. 159
S. Brown (edited by), Horst P. Horst, Paci Contemporary, ed. Silvana Editoriale, Milan, 2018, p. 63
It is 1940 and, as always, the art director of 'Vogue' Mehemed Fehmy Agha is looking for an original cover for the August issue. Gone are the days when the cheaper option of black and white was preferred and eight years have passed since Steichen inaugurated the first colour cover with an image of a girl in costume. It was from here that Agha chose a classy pairing: a great and refined photographer like Horst and the then most famous model, the Swedish Lisa Fonssagrives, who ten years later would marry Irving Penn. Against a neutral background against which her blue swimming costume could stand out, Horst asked her to assume strange postures, each of which could make up the five letters of the magazine's name. The result was one of the most famous covers in Vogue's albeit extraordinary history.

Condition report

To request a Condition Report, please contact fotografia@finarte.it The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers. We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.