Estimate
€ 450 - 800
Aggiudicato
Current bid Starting bid
€ 450
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At auction on Friday 25 October 2024 at 16:00
Information
pencil, watercolor and tempera on thin cardboard
25,5 x 32,5 cm
Original drawing made by José de Zamora during the 1920s for the costumes of a theatrical performance. Artwork published on page 160 of the volume "Non solo Erté: Costume design for the Paris Music Hall 1918 - 1940" by Angelo Luerti, published by Guido Tamoni Editore in 2006. Slight folds and a small tear.
25,5 x 32,5 cm
Original drawing made by José de Zamora during the 1920s for the costumes of a theatrical performance. Artwork published on page 160 of the volume "Non solo Erté: Costume design for the Paris Music Hall 1918 - 1940" by Angelo Luerti, published by Guido Tamoni Editore in 2006. Slight folds and a small tear.
Literature
Artist of Spanish origins, José de Zamora grew up in the atelier of the famous French stylist Paul Poiret, a specialist in fully understanding the secrets of how to "dress" the female nude. He created an incredible number of variations on the theme, always in the name of chaste and refined eroticism. In the 1920s he helped create costumes for a large number of revues staged at the Casino de Paris (1920-21), the Ba-ta-clan, the Concert Mayol (1922-27), the Palace (1923-28) , at the Moulin Rouge (1924-27) and at the Folies Bergère (1926-29).
Contact
Condition report
To request a Condition Report, please contact fumetti@finarte.it
The department will provide you with a general report of the condition of the property described above. Please note that what Finarte declares with respect to the state of conservation of the objects corresponds only to a qualified opinion and that we are not professional conservators or restorers.
We urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. We always suggest prospective buyers to inspect each lot to satisfy themselves as to condition during the exhibition days as indicated in the catalog.
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